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36.3766 Shakespeare's Brutus. His Maturation Into Tragic Hero.
This paper examines how Shakespeare paints Brutus as the tragic hero in "Julius Caesar". This is evident by Shakespeare's sympathetic portrayal of Brutus, who is shown to act out of loyalty to ideals, rather than out of selfishness. Shakespeare creates a tragic hero out of Brutus by blending in him the strength of virtue and the weakness of naivete. Brutus ultimately dies for his love of justice. 8 pgs. Bibliography lists 2 sources.
Pages: 8
Bibliography: 2 source(s) listed
Filename: 3766 Brutus Tragic Hero.doc
Price: US$71.60
37.5831 How Julius Caesar Is Portrayed In Shakespeare's Play Caesar And How This Portrayal Fits The Idea Of Kingship.
This is a 4-page paper that exemplifies Caesar as a man portrayed as an example of an king in the Elizabethan times. 4 pgs. Bibliography lists 3 sources.
Pages: 4
Bibliography: 3 source(s) listed
Filename: 5831 Caesar Portrayed Shakespeare.doc
Price: US$35.80
38.2397 A Reading of Shakespeare's The Life of Henry the Fifth in Kenneth Branagh's Henry V.
This paper argues a comparison of Branagh's and Shakespeare's texts, that the power of the film derives from Branagh's awareness of the necessity of translating the text to film as opposed to simply adapting it. It will be shown that Branagh's success in Henry V is a product of his situating the film in a Hollywood cinematic context as opposed to a West End or academic Shakespearean context, and this should not be seen as "selling out", but rather acknowledging Branagh's part in contextualizing the Shakespearean playtext in a new medium. 10.5 pgs. 19f/c. 8b.
Pages: 10.5
Bibliography: 8 source(s) listed
Filename: 2397 Branagh's Henry V.doc
Price: US$89.50
39.6123 The Machiavellian Influence in "Henry V", and "Richard III".
This undergraduate level paper compares the Machiavellian influences in two Shakespeare plays: Henry V, and Richard III. It identifies Henry as following the romanticized and more humane side of the Machiavellian Prince while Richard III represented the worst that the Machiavellian ideal has to offer. 4 pgs. No bibliography listed.
Pages: 4
Bibliography: 0 source(s) listed
Filename: 6123 Machiavellian Henry Richard.doc
Price: US$35.80
40.5672 The Education of a Prince: Prince Hal and Falstaff.
This 5-page, single-source piece analyzes a critical passage in Henry IV, Part One. The passage analyzed is when Falstaff jokingly assumes the throne in a repartee with Prince Hal. The author discusses how this even is really crucial in the development of the play, since it marks the point when Hal decides he must abandon the company of men like Falstaff and develop his own set of ideals. 5 pgs. Bibliography lists 1 source.
Pages: 5
Bibliography: 1 source(s) listed
Filename: 5672 Education Prince Hal-Falstaff.doc
Price: US$44.75
41.10685 Women in Shakespeare: Margaret and Tamora.
This paper examines Tamora, Queen of the Goths in Titus Andronicus and Margaret in the Henry VI cycle. Specifically, the weaknesses of these characters, their presentation as dramatic and thematic devices-personifications of evil--rather than individuals, are highlighted. 8 pgs. Bibliography lists 6 sources.
Pages: 8
Bibliography: 6 source(s) listed
Filename: 10685 Women Shakespeare Margaret.doc
Price: US$71.60
42.1886 Constructs of (In)sanity in Literature: An Historical Analysis of "Madness" in King Lear and Moby Dick.
What significantly distinguishes Shakespeare's tragic play, King Lear, and Herman Melville's epic novel, Moby Dick, can be traced to the historical constructs of "madness" which reflect their particular cultural contexts. Shakespeare, writing in the fifteenth century, was immersed with the ideological constructs of madness of his time. A complete "madness" analysis follows. 3 pgs. 9 f/c. 7b.
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