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183. 311 Metaphors in Hamlet. This paper discusses the use of metaphors used in Shakespeare's Hamlet. The use of metaphor, however, is a bit trickier and leaves much more room for individual interpretation. Literary scholars spend careers searching for hidden metaphors, and when they find them they spend even more time hypothesizing about what they mean. For metaphors, by their very nature, lack a clearly identifiable origin. The works of William Shakespeare are some of the most thoroughly analyzed works of literature that the world has ever known. Countless volumes have been written in attempts to decipher the meaning behind his plays and their characters, and perhaps no character has provided greater fodder for debate than Hamlet. In the following pages I will cite some examples of Shakespeare's use of metaphor in the first three Acts of Hamlet. Pages: 5 Bibliography: 1 source(s) listed Filename: 311 Metaphors In Hamlet.doc Price: US$44.75

184. 15973 The Corrupting Force of Power in Hamlet. SUMMARY: From the beginning to end there is corrupting force of power in Shakespeare’s play, Hamlet. It begins with Hamlet seeing the ghost of his father who asks him to obtain vengeance for his death. It ends with all the main characters of the play dying. Each act points toward the goal of Hamlet to get vengeance for his father’s death even when Hamlet pretends to be mentally ill. The character of Hamlet is one of strength and perseverance that is determined to obtain his goals regardless of whom may be hurt in the process. Each act in the play shows how the corrupting force of power leads to the final end as Claudius dies. Pages: 6 Bibliography: 1 source(s) listed Filename: 15973 Hamlet Claudius Corruption.doc Price: US$53.70

185. 16001 Love Goes Bad Between Iago, Desdemona, and Othello. SUMMARY: Juxtapose the relationships in Shakespeare’s Othello. Love is not always enough and this can be clearly seen when you compare the relationships in this play. Although Desdemona and Othello love each other there love is not one of trust. In fact, Othello trusts Iago more than he does his own wife. When you compare the characters in the play, love is not the essential ingredient between any of the players. Power is important for Iago, Cassio, and Othello. Excitement and adventures are important to Desdemona. Jealousy eventually destroys Desdemona and Othello. Jealousy is an emotion that destroys whatever love there may be in a relationship. When you compare the characters in Shakespeare’s Othello, love may be apparent between Iago and Othello as much as love is important to Desdemona and Othello. Perhaps Iago is jealous of the love between Othello and Desdemona. Pages: 4 Bibliography: 1 source(s) listed Filename: 16001 Othello Iago Desdemona.doc Price: US$35.80

186. 16047 Shakespeare's Henry IV: An Analysis. This four-page undergraduate paper examines William Shakespeare’s Henry IV Part One. The author notes that the play is essentially a coming of age story in which the English king’s son, Prince Henry, emerges from his youthful role as a wastrel companion of the tavern crowd, into the role of a genuine English monarch by virtue of his heredity and noble character. Ultimately, Prince Hal adopts his father’s Machiavellian tactics and believes that the crown belongs to the one who is most fit to rule, and who can play politics with the most skill and determination. Pages: 4 Bibliography: 0 source(s) listed Filename: 16047 Shakespeare's Henry IV Analysis.doc Price: US$35.80

187. 16079 Shakespeare in Film: An Analysis of Olivier, Welles, and Kurosawa. This five-page undergraduate paper compares styles of acting, editing, design, costumes, and camera work in Laurence Olivier’s Hamlet, Orson Welles’ Chimes at Midnight, and Akira Kurosawa’s Throne of Blood. The author considers how the performances differ, what the overall style of each of the directors is, and how they illuminated the tricky challenges of transferring language intended for the stage. The author also discusses how these elements contributed to the success of the films. Pages: 5 Bibliography: 3 source(s) listed Filename: 16079 Shakespeare In Film.doc Price: US$44.75

188. 727 Hamlet. It can be safely said that no piece of literature, be it poetry or prose, is ever dead. A proper classic lives on far beyond the life of its creator, and remains a living, breathing work. If this is accurate of any form of classic literature it must be accurate of classic drama, for the reason that it lives on both in print and onstage. At the same time as Shakespeare has long been dead, his work does live and breathe, and should be treated as such. It can be effortlessly stated that the work of literature has stood the test of time when William Shakespeare wrote it. But the question arises why are his works so appreciated and treasured? One of his most well-known works, Hamlet, is still a favorite between actors and occasional readers, alike, and why is Shakespeare's work still able to confront and motivate people, four hundred years after it was written. The answer is easy and straightforward. Shakespeare's work, though complex, will never have just one meaning, it will until the end of time be up to the understanding of the people of the time that is interpreting the drama. Pages: 4 Bibliography: 2 source(s) listed Filename: 727 Hamlet and Branagh.doc Price: US$35.80

189. 777 Merchant of Venice English playwright and poet are recognized as the greatest of all dramatists. Shakespeare's plays communicate an intellectual knowledge of the wellsprings of human behavior, brought to light through portrayal of a wide variety of characters. His use of poetic and dramatic approach to create a unified pleasing effect out of a multiplicity of vocal expressions and actions is recognized as an achievement. His use of poetry within his plays to express the deepest levels of human motivation in individual, social, and universal situations is taken into account as one of the greatest achievements in literary history. Pages: 5 Bibliography: 1 source(s) listed Filename: 777 Merchant of Venice.doc Price: US$44.75

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